Light and Weather

Dealing With Bad Weather

Mossy oak in the rain

Mossy oak in the rain


Claudia and I are in Humboldt County this week visiting our son Kevin, who’s a junior at Humboldt State University. This is redwood country, along the far northern coast of California. It’s a temperate rain forest, and it sure seems like it this week. It’s been raining—a lot. Yesterday we had a break, and a mostly rain-free day, but another storm arrived today, and the area is expected to get six to ten inches of rain over the next two days.

Although we’re mainly here to visit our son, of course I hoped to do some photography in this beautiful area as well. The main challenge of photographing in the rain is keeping the camera dry. I’ve tried many different ways of doing this: umbrellas, towels, plastic bags, etc, but there’s no perfect solution. Various people make rain covers for cameras, which work pretty well, but only for telephoto lenses. In fact it’s a lot easier to photograph with long lenses in the rain, regardless of what kind of cover you put over the camera, because you can use a long lens hood to keep rain off the front glass. Hoods for wide-angle lenses have to be short, to avoid vignetting, which makes it difficult to keep water from splashing onto the front element. The best solution I’ve found for wide-angle lenses is to attach an umbrella to my tripod with a clamp. This works, but it’s awkward.

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How Do You Handle Unusual Conditions?

Sun breaking through mist, Tuolumne Meadows, last Friday morning

Sun breaking through mist, Tuolumne Meadows, last Friday morning


Landscape photographers have to be flexible. You can try to plan—to be at a certain place at a certain time when you expect the light to be just right. But you can’t control the weather, and the best-laid plans of photographers often fizzle behind a bank of clouds.

So when things don’t pan out the way you’d hoped, you have to adapt. We did a lot of adapting last week during my Hidden Yosemite workshop. With our heavy winter and late spring, there was still a lot of snow at higher elevations. Certain areas were just inaccessible; the Saddlebag Lake road, for example, was closed, and I heard the lake was still mostly covered in ice.

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Sunday Morning

Sunrise from Tunnel View, Sunday morning
Sunrise from Tunnel View, Sunday morning

 

In my last post I wished for the storm to clear right around sunset on Sunday. It didn’t quite work out that way—it cleared at sunrise instead. My private workshop student and I photographed a beautiful sunrise from Tunnel View, then moved to Cathedral Beach and Swinging Bridge. I always hope for mist, as it adds so much mystery and mood to photographs of Yosemite Valley. Sunday we had almost too much mist; massive cliffs like El Capitan were completely obscured for long stretches of time. But I’m not complaining! It was a great morning.

But where were all the photographers? We saw only a few other tripods all morning—and it was a weekend. Maybe they’re all waiting to come next week for Horsetail Fall.