As I mentioned in my last post, we got some interesting weather while we were in Colorado – rain, mist, and even some snow. We stayed in the area longer than we originally planned to try to photograph some of this weather, hanging out with our friend Charlotte Gibb during some of that time, and enduring rain in hopes of photographing aspens in the fog or snow.
Light and Weather
Every summer we get periods of monsoonal moisture pushing up into California from the south, producing afternoon showers and thunderstorms. One of those periods coincided with our recent workshop in the Yosemite high country, and we got to photograph some beautiful sunrises and sunsets.
On the second afternoon of our workshop we hiked over a ridge to an alpine lake basin. There were some thunderstorms in the area, but none were very close when we started our hike, so I thought we might stay dry – and we had rain gear just in case.
Unusual conditions can provide interesting opportunities for photographs. Any unusual conditions – even things we don’t normally think of as photogenic. Photographers typically avoid smoke, for example, but smoke can create some wonderful atmospheric effects.
The Ferguson Fire started on the second day of our recent workshop in the Yosemite high country, but we didn’t see any smoke at first. Then on our fourth afternoon (Sunday the 15th) smoke started pouring over the mountains from the west. Instead of bemoaning our luck, we just went with it, sought out subjects that might work with the conditions, and ended up finding some interesting stuff, especially around sunrise and sunset.
On our journey to far northern California last month, Claudia and I found some nice patches of lupines up in the hills away from the coast. Naturally I thought fog would add just the right touch to the lupines, but since the elevation was over 2,000 feet it would take a high fog bank or some low clouds to envelop this area in fog.
Luckily we got that high fog bank one morning. We drove up early, in case the sun broke through, but it stayed socked in for the first hour, with a light breeze moving the flowers and making photography challenging. Then the wind picked up and it started to drizzle. I heard a rumble. Could that be thunder? There were showers in the forecast that day. I heard another rumble: definitely thunder. That was a first for me – hearing thunder while wrapped in fog. It was kind of cool, but also a sign that I should retreat to the car.
Claudia and I recently returned from another trip to the redwoods, and once again we had a great time. I love this area so much; it feels like one of my spiritual homes.
One of the reasons I love this area is because it’s so foggy. In fact I sometimes half-jokingly refer to our redwoods workshop as the “chasing fog” workshop. Every morning I get up early and check the weather, trying to find out if there’s fog, and if so, where. And wherever there seems to be the best chance of finding fog, that’s where we go. Fog adds so much mood to any scene – especially redwood forests – so it’s well worth chasing.
It’s the classic dilemma of landscape photographers: whether to stay and wait, hoping for better light, or go elsewhere.
My friend Evan Russel from The Ansel Adams Gallery and I were standing at the stone wall at Tunnel View last Monday, hoping for a rainbow to appear. Evan told me he was thinking about going to Glacier Point. I was thinking the same thing. He told me that at times like this he thought of The Clash song Should I Stay or Should I Go:
Should I stay or should I go now?
If I go, there will be trouble
And if I stay it will be double