In the Moment:
Michael Frye's Landscape Photography Blog
I’m happy to announce that The Photographer’s Guide to Yosemite app is now available for Android!
The Android version has all the same features as the iOS app, including in-depth descriptions of 40 locations, the locations filter to help you quickly find the best photo spots for any month and time of day, detailed maps and directions, photography tips, and much more. And it’s all fully functional without an internet connection.
Click here to view the app in the Google Play Store.
Lunar eclipse sequence, April 14th and 15th, 2014, Trona Pinnacles, CA, USA
In case you haven’t heard, there’s a total lunar eclipse coming up on January 31st. The total eclipse will be visible in central and western North America, Australia, and much of Asia. It will also be a “blue moon,” (the second full moon of the month), and a “supermoon,” (with the moon closer to the earth than normal, so it will look slightly larger). This page shows where the eclipse will be visible, as well as the timing of the event.
In North America the eclipse will occur as the moon is setting in the west just before sunrise. The further west you go, the higher the moon will be during totality, and the longer the eclipse sequence you can see. People in the mountain states should be able to see the entire one hour and sixteen minutes of totality, while those of you in the northwest could see (with clear skies) all of totality plus all of the partial eclipse phase afterwards. Unfortunately, the total eclipse will not be visible on the east coast of the U.S. and Canada.
Misty moonrise, Half Dome and the Merced River, Yosemite. 15 seconds at f/4, ISO 1600.
We haven’t had much rain or snow this winter, but on Monday and Tuesday we finally got a decent storm. Though the storm wasn’t as big as initially predicted, Yosemite Valley got a good soaking, with an inch and a half of rain. No snow though, as it was very warm. (This same storm dumped much more rain on southern California, creating devastating mudslides. This state has endured a lot lately.)
On the few occasions when we’ve had precipitation this winter, I always seemed to have some commitment that prevented me from getting out to photograph. But this time I didn’t have any pressing deadlines, so I kept a close eye on the weather, hoping to get up to the valley to photograph the storm clearing.
The votes are all in and counted, and here are my top photographs of 2017!
We had a great response this year: 370 people looked through my initial selection of 35 images and voted for their favorites here on the blog, Facebook, Google+, and through email. A big thank you to everyone who took the time to look through these photographs and voice your opinions! I also really appreciate all the kind words expressed along with the votes. I wish I could respond to every comment and email, but please know that I’ve read them all and am very grateful for all your support. And also, many thanks to my wonderful assistant Claudia who tallied all those votes!
(I’ve closed comments on this post, since the voting deadline has passed. You can see the final selections here. Thanks to all of you who voted!)
Happy New Year!
Like champagne, Auld Land Syne, and the Tournament of Roses Parade, it’s become a New Year’s tradition on this blog to pick my best images from the past year, and once again I’m inviting you to help me make these difficult choices. I’ve posted 35 of my best photographs from 2017 below, in chronological order. After you look through these, please post a comment listing your ten favorites.
You don’t have to list your ten favorites in any order, or even name them – just numbers will do. (The numbers are in the captions underneath the photographs. Also, you can click on the images to see them larger.) Once the votes are in I’ll post the top ten on this blog, and submit the final group to Jim Goldstein’s blog project, where he’ll be showcasing the best images of the year from over 300 photographers. The voting deadline is this Tuesday, January 2nd, at midnight Pacific time.
Clearing storm by moonlight from Tunnel View, Yosemite
This photograph was made on a magical winter night two years ago, as the moon rose over Yosemite Valley while a snowstorm was clearing. As I wrote back then, I was glad to be a landscape photographer, because what other pursuit involves deliberately seeking out our planet’s most beautiful events?
But the most special moments in our lives are usually the ones we spend with the people we love. I hope your Christmas is filled with beautiful moments in the company of family and friends. To all who celebrate it, Claudia and I wish you a very Merry Christmas!
— Michael Frye
Sunset at Tenaya Lake, Yosemite. I had to work quickly to find a foreground design to go with this colorful sunset.
I’ve always been attracted to color. Color can be eye-catching, but more importantly to me, it’s a powerful tool for conveying a mood.
My attention is easily caught by colorful subjects like flowers, fall leaves, sunrise or sunset clouds, reflections, and so on. The colors don’t have to be bold; a subtle color palette can be just as compelling.
But while interesting colors always catch my eye, I know that color is not enough by itself. You can’t just point your camera toward something colorful and expect to make a great photograph. A frame filled with a random mishmash of autumn leaves won’t be compelling – it’ll just be a colorful mess. You need to find a design to go with that color. So I’m always looking for focal points and patterns that could help give structure to the color.
A: Morning light and clouds, Mono Lake. Can you guess what kind of lens I used for this photograph?
When I post a photograph, people often ask me which lens I used. I’m happy to tell them, but I don’t think you learn much when someone hands you an answer. I think it’s more instructive to try to guess yourself. Estimating what focal length a photographer used can help train your eye to see the world the way the camera sees, and learn how lenses control the sense of depth and perspective in a photograph. And those things will help you find compositions more readily, and make it easier to choose which lens to use in the field.
Wide-angle lenses often create a sense of depth, and immerse you into the landscape, while telephoto lenses flatten the perspective and isolate small parts of a scene. Telephotos are also great for creating patterns. Those traits aren’t always apparent, however, nor are they exclusive. You can show patterns with wide-angle lenses, and you can convey a sense of depth with telephoto lenses. And you can photograph intimate landscapes with wide-angle lenses, and show a vast, sweeping landscape with a telephoto.
I don’t often post reviews here, but QT Luong’s Treasured Lands is a book I thought you should know about, and QT is currently having a sale on signed copies.
Treasured Lands is a big, beautiful, coffee-table book with photographs of all 59 U.S. national parks. Just visiting all 59 parks would be quite an achievement, but to make artistic photographs of all these places in different seasons and varying weather conditions is an amazing feat. It’s not surprising that it took QT twenty years to accomplish this.
Ross’s geese at sunrise, San Joaquin Valley, CA, USA
The Thanksgiving holiday is always a good time to pause from our daily routines and think about all the things we have to be grateful for.
For me, first and foremost, I’m thankful for my family and friends. I’m happy that my son has flown the nest and is doing so well, and I’m especially fortunate to have been married to the same wonderful, beautiful woman for over 30 years.
And I’m extremely grateful for all the support I receive from you, my readers. Your comments and emails help make writing this blog fun, and keep me motivated and inspired. Thank you!
Whether or not you celebrate Thanksgiving, I hope you all have a lot to be thankful for!
— Michael Frye