Just a quick reminder that the special print sale ends tomorrow (Sunday, September 10th) at midnight Pacific time, so you still have time to get 25% off on prints of my solar eclipse photograph. You can see all the details about the sale here.
In the Moment:
Michael Frye's Landscape Photography Blog
When I posted this photograph of the solar eclipse over the Sawtooth Mountains, many people asked about purchasing prints. So we thought it might be time to offer another special sale for just this image, and I’m happy to announce that we’re offering this photograph at a discounted price through this Sunday. Until then you can get signed, numbered, unmatted, limited-edition prints of this photograph at 25% off the normal price, in three different sizes: 13×20, 16×24, and 20×30. My 13×20 unmatted prints normally sell for $275, but during this sale they’re only $206. The retail price for my 16×24 prints is usually $425, but until Sunday they’re only $319. And while my 20×30 prints are normally priced at $675, for this special sale they’re $506.
Next to Yosemite, Yellowstone might be my favorite national park. But I hadn’t been to Yellowstone since 2003 – way too long! So after watching and photographing the eclipse in Idaho, Claudia and I decided to head to Yellowstone. We started in the remote, quiet, beautiful, southwest corner of the park, near Cave Falls, an area we’d never been to before. Then we moved into the Madison campground, where, miraculously, we had been able to secure a last-minute reservation.
Watching the eclipse was an amazing experience. But for Claudia and me, getting to that moment was quite a journey.
I first heard about this eclipse several years ago, and started making plans to photograph it. But I didn’t make any reservations because I wanted to stay flexible, and be able to go where the weather looked best.
Months ago I virtually scouted locations along the eclipse path using online photographs, Google Earth, and The Photographer’s Ephemeris 3D. I knew that thousands of people would capture beautiful, closeup photographs of the eclipsed sun. But I’m a landscape photographer, and wanted to incorporate the eclipsed sun into a wider scene. As I wrote in my last post, that was difficult to do with this eclipse, because the sun would be so high in the sky. You needed something tall in the foreground, or else you had to get the camera down low and look up at a foreground object.
The total solar eclipse in the United States is just over a week away (August 21st), and eclipse mania is sweeping the nation. There are many, many articles on the internet describing how to photograph the eclipse (this one by Todd Vorenkamp on the B&H website is the best I’ve found), but I’ll try to cover some topics that haven’t been discussed much elsewhere.
There’s been a lot internet chatter lately about the so-called “star-eater” issue with Sony cameras. If you haven’t heard of this, last August Sony issued a firmware update for the Mark II versions of all its full-frame E-mount cameras (a7 II, a7s II, and a7r II), and many people have reported that since then these Sony models have been making smaller stars disappear in nighttime photographs. It seems that the new firmware included some kind of noise-reduction algorithm (even with Raw files) that blurred or eliminated those smaller stars. And, unfortunately, there’s no way to revert these cameras to the previous firmware version. In June of this year Sony released new firmware updates for these models, but some initial reports indicated that this new firmware didn’t fix the “star-eater” issue.
On the first night of our recent Starry Skies Adventure workshop we started at Olmsted Point in the Yosemite high country. We had beautifully clear skies at first, despite our proximity to the Detwiler Fire. And the early-evening winds died down, making our group feel warmer, and also creating a chance to photograph reflections in nearby Tenaya Lake.
Before we headed to the lake some clouds started moving in from the east, but I didn’t mind. I love photographing nighttime skies with a mixture of stars and clouds. And that’s what we found when we got to the lake, with the underside of the clouds catching an orange glow from the lights of the Central Valley. Better yet, the wind was calm and the water still, creating beautiful reflections.
The Detwiler Fire is now 85% contained, and emitting little smoke. As I mentioned in my last post, Claudia and I never felt that our house was in serious danger, but sadly, 63 homes were destroyed in the fire. None of our friends lost their homes, which we’re grateful for, but we feel for those who did lose their homes, even though we don’t know them. I’m sure that’s a very tough thing to go through. It is heartening, however, to see the community come together to help those who lost their homes.
The fire started a week before our Starry Skies Adventure workshop on the eastern side of the Sierra. Initially the fire was spewing out tons of smoke, and sending it over the mountains to the east, so Yosemite and the Mono Lake area were pretty socked in. But as the week wore on the smoke diminished, and by the time our workshop started the skies were remarkably clear.
Many of you have heard about the Detwiler Fire in Mariposa County, and I’ve received a number of emails asking about our safety. Claudia and I appreciate everyone’s concern very much. It’s gratifying to know that so many people care – thank you!
Please know that we are safe and our house is not in danger. We’ve been under an evacuation advisory (that means it’s not mandatory) since Tuesday, but activity on the end of the fire closest to your house (the southern end) seems to have calmed down, and we expect the advisory to be lifted soon. Of course we’re packed and ready to go just in case, and we have a place to stay if necessary, but at this point it’s highly unlikely that we’ll need to evacuate.
This past winter’s record-setting snowpack in the Yosemite high country has left tons of snow and ice lingering into July. Tioga Pass finally opened on June 29th, and Claudia and I headed over the pass on July 3rd to scout for our Range of Light workshop. We found little snow below 9,000 feet, but above that altitude the hiking was tough, requiring either long detours to avoid snow, or traversing tedious, slippery, sun-cupped snowfields.
That meant we couldn’t get to certain locations during the workshop, but as compensation we got to photograph roaring creeks and rivers, and partially-frozen lakes. When frozen lakes melt you can often find beautiful patterns where ice and snow mix with patches of open water. On the last evening of the workshop we went to Saddlebag Lake, which had some amazing ice patterns. Better yet, the ice went into the shade around 6:30 p.m., while the rusty-colored mountainside on the opposite side of the lake stayed in the sun for another hour, casting beautiful gold and orange reflections in the water. This was kid-in-candy-store stuff to someone who likes abstracts as much as I do.