I start teaching a five-day workshop tomorrow, so I won’t have much time for blogging until next week, but thought I’d post a short note about the color in Yosemite Valley. Since I was here four days ago some of the maples have lost their leaves, while the oaks and cottonwoods continue to progress. It looks like my prediction about two color peaks will come true, as the maples are a little past prime now, while the other trees aren’t quite there yet, although they’re progressing quickly and should reach full color soon. The cottonwoods are hard to figure out. Some are bare, and others appear to be only turning partly yellow before shedding their leaves.
In the Moment:
Michael Frye's Landscape Photography Blog
We faced rain and wind during Monday’s Fall Color Workshop, but we also found fantastic light and clouds, including a rainbow over Mono Lake. The color is changing rapidly over there. Some aspens were stripped of their leaves during Sunday and Monday’s wind storm, but others have turned from partially green to full yellow. There’s still plenty of color around the June Lake Loop and in Lundy and Lee Vining Canyons. I made this photograph near Silver Lake this morning.
Tioga Pass closed Monday and didn’t reopen until about 10 a.m. today. Driving over the pass to Yosemite Valley this afternoon I found Siesta Lake with it’s usual October ring of red blueberry bushes. I made a detour to check on the dogwoods along Highway 120 west of Crane Flat, and found that almost all turned. In some years the majority of them turn red in this area, but this year most are yellow, although I found a few vivid red specimens.
In Yosemite Valley the big-leaf maples are beautiful. Almost all have turned a rich shade of yellow. The best spots are underneath Cathedral Rocks along Southside Drive and near Curry Village, including the old Lower River Campground area.
The other deciduous trees in the Valley—cottonwoods, oaks, and dogwoods—are still partially to mostly green, except for a few strange cottonwoods that are already bare. So it looks like we’ll have two peaks for color in the Valley: one right now for the maples, and another in one or two weeks for everything else.
The waterfalls got a boost from Monday’s storm. While the flow isn’t close to spring levels, it’s high for October. Upper Yosemite Fall receives early morning sunlight this time of year, something it doesn’t get in spring, so this is a chance to get some unusual photographs of it with good light and fall color in the foreground.
After the last storm, many people reported finding little fall color on the east side of the Sierras. Aspens that had already turned yellow were stripped bare by the wind, and the remainder were still green. I was worried that there wouldn’t be anything to photograph during my fall color workshop on Monday.
But those green trees seem to have changed color quickly. I drove over Tioga Pass from Yosemite Valley yesterday afternoon, and breathed a sigh of relief when I caught my first glimpse of Lee Vining Canyon: all yellow. I’d say 80 percent of the trees had turned, and the remainder were yellow-green and should change completely soon.
I found a similar story around the June Lake loop, where about 60 to 70 percent of the aspens had completely turned, and the rest were on their way. I made the accompanying photograph in one of my favorite groves there. Both Lee Vining Canyon and the June Lake Loop were beautiful, and are likely to become even more photogenic in the next few days. I’ll be scouting some other locations today, and I expect to find similar conditions among the lower-elevation aspens. Nancy Boman at Murphey’s Motel in Lee Vining (a photographer’s favorite) told me that the color had arrived just within the last few days, which seems to fit the other reports I’ve heard.
On Friday I was in Yosemite Valley for a private workshop. The most striking change was the amount of water in Yosemite Falls and the Merced River. We had nice morning light on the upper fall and photographed reflections in the river. There was also some mist in the meadows. The water level will drop rapidly during the next week, as there’s not much of a snow pack to feed it, and the mist will also probably dissipate as the meadows dry out, but it might last a few more days.
Fall color in the Valley is developing rapidly. The sugar maple near the chapel is gorgeous, and the native big-leaf maples are about 80 percent turned. The cottonwoods are about halfway there. The dogwoods and oaks are just getting started, but it seems like things are moving quickly, so next weekend might be close to peak. Barring storms, the following weekend (two weeks from now) should also be good.
A minor weather system is expected Monday, and temperatures will drop early next week, so that could change the outlook. But fall-color gloom has turned to hope in just a few days.
As I mentioned on October 7th, I’ll be doing two additional workshops for The Ansel Adams Gallery in 2010:
January 19 – 23
After taking my Photoshop Fundamentals or Digital Landscape workshops, many students have asked for a more advanced Photoshop class. New tools like HDR (High Dynamic Range imaging) have also made me rethink some of my working methods in recent years. So I thought it was time to do a comprehensive course in Photoshop and digital printing for landscape photographers that incorporates these new tools.
As digital cameras and software have grown in sophistication, they’ve given us unprecedented control of our images. Such power creates wonderful opportunities, but can also lead to confusion. How do you apply these controls? Luckily we have something to guide us, because the new working methods bear a striking resemblance to Ansel Adams’ Zone System. The tools are quite different, but the goals are the same: to control contrast—either increasing contrast in flat light, or decreasing it when the light would otherwise be too harsh. In this class we’ll investigate methods for mastering this vital aspect of printing, starting with Photoshop’s most powerful tool, Curves, and continuing with techniques for expanding dynamic range, either by blending multiple images in Photoshop, or with HDR (high dynamic range) software. But we’ll cover much more than that, including Zone System exposure for digital cameras, and all the essential steps for making great digital prints like color management, dodging and burning, advanced selections, sharpening, and… well you can see a more comprehensive list on the Gallery’s web site.
July 7 – 11
After moving the workshop to Yosemite Valley on 2009, we’re returning to the beautiful Yosemite high country next year. I’ll be using my 25 years of Yosemite experience to guide students to great locations that most photographers miss. Short day hikes will lead us to cascading creeks, ridge top views, and alpine lakes. We’ll also delve deeply into the mysteries of exposure, light, and composition. Click here to see more details.
The storm was as big as advertised, dropping 5.4 inches of rain in Yosemite Valley. Judging from the Tioga Pass web cam, it looks like they got about a foot of snow. Temperatures actually rose during the storm, so the initial snow there turned to rain. The pass is closed, but the park service is apparently plowing, and it may reopen tomorrow.
The rain ended at about 9 a.m. today, and the Turtleback Dome web cam showed some nice clearing storm clouds and mist. There could be good photo opportunities in Yosemite Valley this evening as well. Unfortunately I don’t think I’ll be able to make it up to the valley today. I’ll have to avoid looking at the web cam; if I miss an incredible sunset I’d rather not know! All the moisture in the ground may also lead to mist forming in the meadows on cold evenings or mornings during the next few days.
In addition to lots of rain, the storm brought high winds. I suspect many leaves were blown off aspens on the east side of the Sierra. On the other hand, I heard that the colors are starting to pop in Yosemite Valley. I’ll be up there Friday to see for myself, so I’ll let you know what I find.