Posts Tagged ‘Yosemite Valley’
It was good to hear the rain drumming on the roof Friday night. We’ve seen occasional showers during the summer and fall, but Friday brought the first significant storm of the winter rainy season, dropping over an inch of rain in Yosemite Valley, and over a foot of snow in the high country. Everyone in California is hoping for many more storms like this over the next six months.
The storm started to clear around midday on Saturday, so Claudia and I drove up to Yosemite Valley that afternoon. It turned out to be a really beautiful afternoon in the valley, with lots of autumn color, and some great light and clouds. We found a wonderful scene near the east end of the valley, with clouds and mist-wrapped Half Dome reflected in the Merced River. I included some cottonwood leaves in the foreground to give the image a touch of autumn (right).
Early this morning we drove up to Yosemite Valley again, hoping to see fog in the meadows. We found a little mist, but not much, so we decided to go back to El Portal, which had been very foggy when we drove through. I’m glad we did. There wasn’t as much color as in Yosemite Valley, but the fog more than made up for that. I’ve included my favorite image from the morning below, with the sun breaking through the mist and silhouetting the gray pines.
The color on the east side was a little early this year. When we left yesterday the lower-elevation areas like June Lake Loop, Lee Vining Canyon, and lower Lundy Canyon were at about peak. Mid- and high-elevation aspens were past peak, but you could still find colorful patches mixed with the bare trees (a photogenic combination, in my opinion). I’m sure there will still be good color in those lower-elevation spots this weekend, but probably not far beyond that.
On the drive home I made a short detour through Yosemite Valley to check on the color, and things are progressing slowly there. The bigleaf maples on the south side of the valley are starting to turn. There’s a nice patch of yellow along Southside Drive, underneath Middle Cathedral Rock (across from El Capitan). The maples in this area are perhaps 60 percent yellow and 40 percent green. Some maples near Pohono Bridge and the old dam are turning as well, but those areas are still predominantly green.
Elsewhere in the valley there’s little color so far. The oaks, cottonwoods, and dogwoods are showing just tinges of yellow and gold here and there. The maples will probably reach their peak in about a week or so, but it looks like the oaks, cottonwoods, and dogwoods won’t turn until the first or second week of November. Maybe we’ll get a dusting of snow during the peak color, like we did two years ago…
— Michael Frye
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Michael Frye is a professional photographer specializing in landscapes and nature. He is the author or principal photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, Yosemite Meditations for Women, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters. He has also written three eBooks: Light & Land: Landscapes in the Digital Darkroom, Exposure for Outdoor Photography, and Landscapes in Lightroom 5: The Essential Step-by-Step Guide. Michael written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.
We got to the Valley well before sunset, but there were some interesting clouds, so we decided to head to Tunnel View, where we found the usual August assortment of tour buses and people taking selfies in front of the panorama. I photographed some interesting patterns of dappled sunlight and clouds, then, just at sunset, after the crowds had thinned, the sky turned pink and a beautiful array of tufted clouds drifted overhead (below).
We had a little picnic along the Merced River as we waited for the sky to get dark, then I started taking photos of Three Brothers. At first the clouds blocked most of the stars. But the sky gradually cleared, revealing more stars, and then, looking at the photos on my camera’s LCD screen, I could see the clouds taking on a pink hue, and a hint of light on Yosemite Point in the distance. This was the lunar equivalent of a predawn glow, with the moon still below the horizon, but already adding some light and color to the scene. My eyes couldn’t see the color, but the camera could (right).
Later, as the moon rose for real, the clouds and peaks turned gold, just as they would at sunrise. Again, it was too dark for the cones in my retinas to pick up the color, but the camera recorded it perfectly. And some of the cloud formations were spectacular, fanning out in big V shapes above Three Brothers (below).
At Tunnel View the smoke was thick enough to give the scene a misty, painterly look, but not so thick that you couldn’t see anything. Eventually the orange ball of the sun appeared through the smoke, accompanied by a patterned cloud formation (above). Later, along the Merced River, the smoke lent a similar painterly mood to scenes of El Capitan and Three Brothers (below). And much later, near sunset, the sun turned into an orange ball again as it sunk into the smoke to the west (below).
We had great conditions during my Yosemite workshop for The Ansel Adams Gallery this past week. The dogwoods were blooming, there were lots of fresh, green leaves everywhere, and we had some interesting weather. It rained all day Friday, but Saturday morning we found clearing skies and an inch of new snow. This photograph of Three Brothers was made as the sun hit the rock faces and generated copious quantities of mist; you’ll find a couple of other images from the week below.
The dogwoods are still in good shape, and should be photogenic for at least another week or so. And the dogwoods at higher elevations (along highways 41 and 120, and in the Tuolumne Grove of giant sequoias) are just getting started, and should last for two to three weeks.
I’m off to North and South Carolina tomorrow, and I’m looking forward to photographing eastern dogwoods, waterfalls, and whatever else we find!
— Michael Frye
Although the flowers will last a couple of weeks, they’re most photogenic when new and fresh, so they’re near peak now. The valley is quite beautiful, with lots of fresh, bright-green leaves everywhere, the waterfalls flowing – and of course the dogwoods. The waterfalls will peak early this year, probably by early May, if not sooner, but for the moment it seems like a pretty normal spring.
Meanwhile, there are still some nice poppy displays in the eastern end of the Merced River Canyon, near El Portal, but they’re fading fast and will probably be mostly gone by next weekend. It’s been a great year for poppies though – one of the best I’ve seen. There will be a variety of other flowers blooming in the canyon for awhile, but these typically aren’t found in big patches, so they’re more suited to closeups rather than broader views.
I start a five-day workshop with The Ansel Adams Gallery today, and then will be heading to North and South Carolina right after that, but I wanted to give you a quick update first. I’ll post further updates and photos when I can! This is one of my favorite dogwood images from last spring.
— Michael Frye
Part of this was the materials. You had to decide, before you put in a roll of film, whether you wanted to photograph in color or black and white, and then you were committed to that choice for the next 36 frames. This encouraged you to stick with what you liked and knew best.
Also, color and black and white required different skill sets. Apart from the ability to “see” in color or black and white, processing and printing color film was (and is) difficult, and most color photographers, even serious ones, avoided it by using transparency film and outsourcing the processing and printing to labs. You could do that with black and white too, but getting the most out of black-and-white film required (and still requires) doing it yourself, with access to a darkroom, and possession of considerable printing skills.
While the window of best light on Horsetail Fall has passed, any precipitation brings the potential for a photogenic clearing storm. Based on the forecast, it looks like we’ll see some clearing tomorrow, and again on Saturday or Sunday (or maybe both). We’re approaching the best time of year to photograph Tunnel View and Valley View (a.k.a. Gates of the Valley), because the late-afternoon light is balanced between El Capitan on the left and Cathedral Rocks on the right. If a storm clears late in the day that will create ideal conditions at both of those classic views. Of course I describe both of these spots, and many others, in The Photographer’s Guide to Yosemite, available as both a softcover book and iOS app.
Last Thursday, Yosemite Valley got two inches of rain, the first real precipitation in almost two months. Higher elevations got snow, and the temperature dropped enough to give the Valley a slight dusting at the tail end of the storm. The main part of the storm cleared around midday on Thursday – not the best time for photography, though still beautiful. But then showers resumed Thursday night, with the last of them moving through just before sunrise. Perfect timing.
My two brothers were visiting from Washington State, and the three of us rose early, drove up to Yosemite Valley, and headed for one of my favorite spots along the Merced River. The sun broke through the clouds and illuminated El Capitan briefly before the fog thickened and all the cliffs disappeared. But after about ten minutes El Cap re-emerged, the sun broke through, and we were treated to a classic Yosemite clearing storm. The first photograph here is probably my favorite from the morning, but I’ve posted a couple more images below, including a later image from Tunnel View – still a photogenic spot at 10:00 a.m.