by Michael Frye | Dec 27, 2015 | Night Photography
Half Dome, North Dome, and the Merced River by moonlight, Yosemite. This photograph was made about 11:30 p.m. When I first arrived at this spot Half Dome was completely obscured by fog. But I waited, and soon Half Dome and North Dome started to appear through the mist. I made a series of images with similar compositions as the clouds and mist shifted, but I particularly liked the light in this one. Sony A7rII, Rokinon 24mm f/1.4 lens, 20 seconds at f/4, 4000 ISO.
I promised to post more moonlit images from last Saturday night and Sunday morning, so here they are. In case you missed them, I posted a photograph from that night made at Gates of the Valley here, and another image from Tunnel View here. But it was such a beautiful night, with fresh snow, and mist that stayed around for a long time, so I photographed for almost four hours, and was able to try many different viewpoints and ideas. I’ve included extended captions to give a little more information about each photograph here.
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by Michael Frye | Aug 14, 2014 | Night Photography
Stars and clouds over Three Brothers, Tuesday evening; 20 seconds, f/2.8, 6400 ISO
Tuesday evening Claudia and I drove to Yosemite Valley. The moon was due to rise about 90 minutes after sunset, so I hoped to photograph the northern end of the Milky Way over Three Brothers, with the rising moon adding a bit of light to the peaks.
We got to the Valley well before sunset, but there were some interesting clouds, so we decided to head to Tunnel View, where we found the usual August assortment of tour buses and people taking selfies in front of the panorama. I photographed some interesting patterns of dappled sunlight and clouds, then, just at sunset, after the crowds had thinned, the sky turned pink and a beautiful array of tufted clouds drifted overhead (below).
We had a little picnic along the Merced River as we waited for the sky to get dark, then I started taking photos of Three Brothers. At first the clouds blocked most of the stars. But the sky gradually cleared, revealing more stars, and then, looking at the photos on my camera’s LCD screen, I could see the clouds taking on a pink hue, and a hint of light on Yosemite Point in the distance. This was the lunar equivalent of a predawn glow, with the moon still below the horizon, but already adding some light and color to the scene. My eyes couldn’t see the color, but the camera could (right).
Later, as the moon rose for real, the clouds and peaks turned gold, just as they would at sunrise. Again, it was too dark for the cones in my retinas to pick up the color, but the camera recorded it perfectly. And some of the cloud formations were spectacular, fanning out in big V shapes above Three Brothers (below).
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by Michael Frye | Dec 30, 2013 | Announcements
Oak tree and lunar eclipse sequence, Mariposa County, Sierra foothills, CA, USA
One of my most popular posts this year was a recent one, called Moonstruck. This article focused on how to capture moonrise and moonset photographs, with a discussion about how to predict the moon’s movements, and apps that can help with figuring out the precise position of the sun and moon.
While the Moonstruck article focused on photographing moonrises and moonsets, I’ve also written about photographing by moonlight. Tips for Photographing Lunar Rainbows delves into the specifics of moonlight photography: camera settings, shutter speeds, and how to focus in the dark. And in another post from 2012 I described the experience of photographing lunar rainbows in Yosemite, first with the crowds of photographers in Cook’s Meadow, then along the Upper Yosemite Falls Trail. And then late last year I wrote about my most memorable New Year’s Eve, and how that inspired me to make a photograph of the Three Brothers by moonlight.
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