In the Moment:
Michael Frye's Landscape Photography Blog

A Different Point of View

Half Dome and North Dome at sunrise from the Four-Mile Trail, Yosemite NP, CA, USA

Half Dome and North Dome at sunrise from the Four-Mile Trail, 8:07 a.m. Tuesday morning

A small storm rolled through Monday night. The showers tapered off during the wee hours Tuesday morning, and I rose early, hoping to once again photograph a clearing storm in Yosemite Valley.

The moon was nearly full, and I actually got to the valley early enough to capture some images of the clearing storm by the light of the setting moon. Then some clouds moved in. I looked at the radar images on my phone, and saw a band of showers approaching. It looked like the showers would reach me around sunrise, and pass through pretty quickly. Hmm. I might have just enough time to hike up the Four-Mile Trail to a spot with a view of Half Dome that I’d been wanting to try.

It would be a gamble. Staying near the roads on the valley floor would give me more flexibility; I could wait to see what happened with the weather, and within five or ten minutes be at one of my favorite, familiar locations. But on this morning I wanted to try something different, so I decided to take a chance and go for it.

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Staying Flexible on a Snowy, Misty Morning

Sun breaking through fog in an oak grove, Yosemite NP, CA, USA

Sun breaking through fog in an oak grove, Yosemite, 8:06 a.m. yesterday

Friday’s storm got cold enough to drop a couple of inches of snow on Yosemite Valley. The storm cleared during the night, but showers lingered until the wee hours Saturday morning. It seemed possible that we might find some mist at sunrise, so Claudia and I drove up early to Yosemite Valley.

Indeed there was some mist, and broken clouds overhead. That seemed like a perfect combination for Tunnel View; if the clouds lit up it would be a gorgeous sunrise from there. But soon after I arrived at Tunnel View the clouds dissipated. There was still some mist down in the valley below, but it would take awhile for the sun to get high enough to light that mist, and without clouds to block it the sun would be right in my face, making it difficult to avoid lens flare.

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The Art of Being Flexible

Autumn Sunrise, Half Dome and the Merced River, Yosemite National Park, California

Autumn Sunrise, Half Dome and the Merced River, Yosemite – one of the examples in my latest article for Photograph magazine

We can’t control the weather. We don’t determine where trees grow, mountains form, or rivers flow. In landscape photography we have almost no control over our subjects, so we have to adjust to the conditions at hand.

Craft & Vision just released Issue 15 of Photograph magazine, which includes my piece called “The Art of Being Flexible.” I think flexibility is an essential skill for landscape photographers. Since we have so little control over our subjects, we have to be willing and able to react to changing weather and conditions, and try to take advantage of whatever opportunities present themselves, even if those opportunities weren’t what we expected. The article discusses this subject in depth, and includes several examples showing how to anticipate the weather and light, recognize possibilities, and take advantage of the opportunities you’re given.

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Telling a Visual Story

Ross's geese in the fog at sunrise, San Joaquin Valley, CA, USA

Ross’s geese in the fog at sunrise, San Joaquin Valley, CA, USA

Claudia and I have made several trips to California’s Central Valley this winter to photograph birds. It’s one of our favorite things to do this time of year, when large flocks of waterfowl take up residence in the valley’s marshes for a few months before migrating northward in the spring. I love watching and photographing the movements of these flocks, especially the white geese – the snow geese and Ross’s geese. Seeing 10,000 geese take off in a single, noisy, coordinated wave is simply awe-inspiring, but there’s magic and beauty in their smaller comings and goings as well.

My approach to photographing wildlife is similar to my approach to photographing landscapes. Rather than making closeup photographs of individual animals, I’m trying to incorporate the animals into the landscape, looking for ways to capture a mood and convey what it felt like to be in a particular place at a particular time, watching a unique and beautiful moment.

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Waiting for the Storm to Clear

Misty sunset over Bridalveil Fall, Yosemite NP, CA, USA

Misty sunset over Bridalveil Fall, Yosemite NP, CA, USA

Two weather systems have brought over two inches of precipitation to Yosemite Valley since Friday night. It was very warm at the beginning, with snow levels at 9,000 feet, but now the temperature has dropped, and it’s starting to snow.

I can even see flakes falling outside my window in Mariposa, at 2,800 feet, but it’s a little too warm for the snow to stick.

It looks like the storm might clear this afternoon, but these things are always hard to predict. Radar images show the tail end of the precipitation approaching, but that can be deceiving, as showers often linger over the mountains longer than you would otherwise expect. I’ll be keeping a close eye on things this afternoon, especially since there’s no precipitation in the seven-day forecast, so this might be the last chance to photograph a clearing storm for awhile. We’ll see what happens!

In the meantime, here’s a photograph from a clearing storm back in January of 2012. Chances are low that this current storm will bring an opportunity like this, but you can always hope.

— Michael Frye

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