In the Moment:
Michael Frye's Landscape Photography Blog

Noteworthy Books

Visual Flow by Ian Plant and George Stocking

Some interesting books have been released recently that I think my readers might be interested in:

Visual Flow: Mastering the Art of Composition
by Ian Plant, with George Stocking
287 pages
24.95

Visual Flow: Mastering the Art of Composition is an ambitious eBook that delves deeply into what could be the most important aspect of photography: composition. But composition is a difficult subject to talk about, and teach, because of its complexity. Every situation a photographer encounters is different, and no rules or formulas can encompass all the variables.

Ian puts this well: “The ‘rules’ do not dictate whether a composition is good or not; rather, a composition either works or it doesn’t, and the ‘rules’ are merely an attempt (with the benefit of 20/20 hindsight) to assess common features of successful compositions. This is vitally important to remember: the ‘rules’ flow from successful compositions, not the other way around.”

I couldn’t agree more, and Ian and I are in complete agreement about this too: “Learning to think abstractly about visual elements is the single most important thing you can do to improve your compositional skills.” The less you think about the subject, and the more you think about the underlying abstract design – the lines, shapes, and patterns – the better you compositions will be.

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Craft & Vision’s “Big Book”: Lightroom 4 Unmasked

Lightroom 4 UnmaskedEven if you know a program well it helps to have a comprehensive guide, a book that covers everything from A-Z, so you can look up a keyboard shortcut, remember how to do that thing that you only do once a year, or learn some new tricks.

My favorite Lightroom bible has been Martin Evening’s The Adobe Photoshop Lightroom 4 Book. I still think that’s a great resource, but I might have a new favorite: Piet Van den Eynde’s new ebook called Lightroom 4 Unmasked.

This is a truly comprehensive guide to Lightroom 4, from setting up and importing, to organizing in the Library Module, processing images, mapping them, exporting them or publishing them to Flickr or Facebook, and printing.

If you’re new to Lightroom there’s a lot of great information here to help you get started. For example, the Lightroom Do’s and Don’ts (page 20) offers some invaluable advice to help you make the most of the program and avoid some common pitfalls.

Even if you know Lightroom well you’ll undoubtedly discover some new tips. One that I’m anxious to try is on page 238 — using Lightroom’s Publish Services to automatically put images on my iPhone and iPad. Cool — I didn’t know you could do that.

This is another ebook by Craft & Vision, the publisher of my two previous ebooks. But this one is different. Craft & Vision is calling this a “big book,” and it is that: a full 312 spreads. Because this is roughly four times the size of their typical ebooks, the price for Lightroom 4 Unmasked is higher than normal — $20. But until midnight on Tuesday, November 27th you can get it for only $15. Just use the code LR4FIVE on checkout.

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Quick Horsetail Update

Horsetail Fall, 5:27 p.m., Wednesday, February 15th

Horsetail Fall, 5:27 p.m., Wednesday, February 15th



First, a reminder that this is the last day to get a discount on my new eBook, Exposure for Outdoor Photography. Until midnight tonight you can use the code EXPOSURE4 at checkout to get the book for only 4 dollars. Or use the code EXPOSURE20 to get 20 percent off if you buy five or more Craft & Vision eBooks—including my previous volume, Light & Land: Landscapes in the Digital Darkroom.

Now, on to Horsetail Fall. Yosemite Valley received about four inches of snow on Tuesday night, and higher elevations got a little bit more. Unfortunately that precipitation did little to improve the water volume in Horsetail Fall. It’s flowing, but barely. Yet it’s amazing how little water it actually takes. You can strain your eyes to detect any flow at all for most of the day, and then as the sun lowers it highlights the fall perfectly and makes whatever water there is stand out.

The accompanying photographs were made on Wednesday and Thursday evenings while I was teaching private workshops, and show the current conditions pretty well. On Wednesday some mist drifted past the fall, adding interest, but distant clouds dimmed the light before it reached its most intense color. On Thursday, the light was about as good as it gets for Horsetail, lasting right until the theoretical sunset time, with the cliff behind the fall shaded. If only there was more water!

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New eBook: Exposure for Outdoor Photography

Exposure for Outdoor Photography

Exposure for Outdoor Photogoraphy



I’m pleased to announce the release of my second ebook: Exposure for Outdoor Photography.

In photography, creativity and technical skill are both essential. It’s great to have a wonderful eye and imagination, but no one will appreciate your genius if your images are washed out and blurry.

The most essential technical skill a photographer must master is exposure. On the surface, exposure seems easy. It’s simply a matter of making the image bright enough—not too dark, and not too light. But the endless variety of light makes exposure challenging. No two situations are the same, so there can be no exact formula for getting the right exposure. On the other hand, exposure doesn’t need to be overly complicated. The fundamental controls—shutter speed, aperture, ISO, light meters—are easy to understand.

Previously on this blog I’ve written about some of these fundamentals, like reading histograms and adjusting exposure. In this ebook I start with a more comprehensive discussion of these essentials, then go deeper by taking you through ten practical, real-life examples where I’ve used these basic principles to control the exposure, the sharpness, and the photograph’s message.

The examples go from easy to complex, and include using a histogram to find the right exposure, controlling depth of field, freezing and blurring motion, when to push the ISO, spot metering and the Zone System, and HDR and exposure blending. I also include several exercises to help improve your technique. It’s a concise, easy to understand, yet comprehensive course in mastering the most important skill in photography.

Like all Craft & Vision ebooks, Exposure for Outdoor Photography is normally only five dollars. But for the next four days you can get it for only four dollars. Just use the code EXPOSURE4 at checkout. Or use the code EXPOSURE20 to get 20 percent off if you buy five or more Craft & Vision ebooks—including my previous volume, Light & Land: Landscapes in the Digital Darkroom.

Exposure for Outdoor Photography is temporarily unavailable. Stay tuned for updates on a revised version.

—Michael Frye

Related Posts: Light & Land eBook Available Today!Digital Photography Basics: Reading HistogramsDigital Photography Basics: Adjusting Exposure

Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBook Light & Land: Landscapes in the Digital Darkroom. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.

New eBook by Jim Goldstein

Photographing the 4th Dimension - Time


Jim Goldstein has just released a new eBook called Photographing the 4th Dimension – Time. In the book Jim describes seven different slow shutter speed and video techniques for making more creative photographs—including long exposures, light-painting, star trails, time-lapse, and cinemagraphs.

This book is a great way to delve into some new, fun, and creative aspects of photography. If you’ve never tried photographing star trails, making time-lapse videos, or creating cinemagraphs, Jim makes it easy to get started by giving you step-by-step instructions, sometimes including video tutorials.

Just browsing through the book can inspire you to try some new techniques and give your photography a creative kick in the pants. Personally I was intrigued by the cinemagraphs, where part of a still photograph is animated. Some cinemagraphs I’d seen before looked rather cheesy, but after viewing some of the examples here I realize that they can be done subtly, and beautifully, so I’m eager to try them—and it’s nice to have Jim’s detailed instructions for doing so.

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