In the Moment:
Michael Frye's Landscape Photography Blog

Bodie at Night

Wagon wheel behind the Dechambeau Hotel, Bodie State Historic Park, CA, USA

Wagon wheel behind the Dechambeau Hotel, Bodie. I loved this wagon wheel poking out of the ground, and worked with one of our participants, Jeff, to light this scene. We started with an exposure for the sky, then lit the wagon wheel, getting close with a flashlight outfitted with a homemade snoot to try to light only the rim and spokes. Then Jeff lit the shed on the right from two different angles, and I lit the two-story buildings from both sides.

As promised, here are a few photos from the nighttime sessions during our recent Bodie, Inside and Out workshop.

The lighting for each of these photographs was rather complex, and required blending several exposures together. In each case I started with a frame for the sky (my standard pinpoint-star exposure: 15 seconds at f/2.8, 6400 ISO), then used separate frames (at lower ISOs and smaller apertures) to light different aspects of the scene. As I’ve described before, the individual exposures were blended together in Photoshop using the Lighten blending mode, and sometimes adding layer masks to hide stray light.

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Inside Bodie

Green light, Wheaton and Hollis Hotel, Bodie State Historic Park, CA, USA

Green light, Wheaton and Hollis Hotel, Bodie State Historic Park, CA, USA

As I said in my last post, we had a great time in Bodie last week. On Tuesday morning we had a permit to photograph inside some of the buildings – a rare opportunity. These interiors are in a lovely state of decay, and it seemed there were wonderful compositions everywhere you looked. We had six hours, but could easily have doubled that without running out of subjects.

You have to be very careful inside the buildings. Everything is coated with a thick layer of dust, accumulated over decades, and even accidentally brushing up against a table with a jacket could mar that dust. These interiors are a museum – a dusty, decaying museum – and being inside the buildings is like being inside the exhibits.

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Under the Stars

Tufa and stars (with Perseus and the Pleiades), Mono Lake, CA, USA

Tufa and stars (with Perseus and the Pleiades), Mono Lake. I lit the tufa formations with a flashlight during the 15-second exposure; it only took a brief pass with the light to provide sufficient illumination at 6400 ISO and f/2.8.

As I said in my last post, we had remarkably clear skies during our recent Starry Skies Adventure workshop, despite the proximity of the Walker Fire. But 24 hours before the workshop started the situation was uncertain and changing quickly. We didn’t know what would happen with the fire, and whether we’d see any stars through the smoke. Some workshop participants decided to take a rain check (smoke check?), which was completely understandable under the circumstances. But most people chose to come anyway and take their chances. In the end we had a great time. There were moments, while standing under the stars in the clear, cool, night air, when the fire seemed like a vague, distant memory.

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Photographing Bodie

"Swayback" building at night, Bodie SHP, CA, USA

“Swayback” building at night with the Milky Way, Bodie. While helping some members of our group photograph this building I set up my own camera as well. I put tissue paper over a flashlight to act as a diffuser, then stuck my hand through a gap in one of the walls to light the interior of the building during the 20-second exposure for the stars.

As promised, here are some of my recent photographs from Bodie. Bodie, if you’re not familiar with it, is just north of Mono Lake, and is billed as the best-preserved ghost town in the United States. Bodie is now a state park, and a very interesting place to photograph, but it’s usually only open from 9:00 a.m. to 6:00 p.m., which means you can’t photograph it during the best light of the day, much less at night.

A few years ago I was able to photograph Bodie on a moonlit night with Lance Keimig and Scott Martin during one of their workshops. Then, earlier this summer, Claudia and I went to Bodie on one of occasional evenings when the park stays open until 10:00 p.m. This was a moonless night, but since it didn’t get completely dark until about 9:00 p.m. that left only an hour for true night photography. It was still fun, but much too short.

Luckily I would have another chance soon. We had managed to secure a hard-to-get permit to take a workshop group there at night, and added that evening to my Starry Skies Adventure workshop. We had so much fun there with the group. This time we were able to stay until 1:00 a.m., but it wasn’t long enough!

Here’s a selection of both daytime and nighttime images from those recent trips to Bodie. I tried many different ideas, but had to leave other ideas still percolating in the back of my mind, as I just didn’t have time to execute them all. I think there’s so much potential there for creative lighting of both interiors and exteriors, and working with reflections in the old windows. I certainly look forward to going back. If you haven’t been to Bodie, I highly recommend it, even during the middle of the day. And if you get a chance to go in the late afternoon or at night, take it!

— Michael Frye

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