In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Apr 15, 2024 | Announcements
El Capitan emerging from clouds, Yosemite NP, California. This photo was awarded first place in the Grand Landscape category of the Natural Landscape Photography Awards in 2021.
I’m pleased to announce that I’ll be a judge this year for the Natural Landscape Photography Awards!
From its inception, I’ve felt that this contest’s goals align with mine: making photographs that celebrate the beauty of nature – without excessive manipulation, and where the photographer’s skill and vision behind the camera are more important than their Photoshop skills.
I’ve entered this competition in each of its first three years, and was fortunate enough to win some awards, including first place in the Grand Landscape category in 2021. Now it’s my turn to help decide who will get those awards – though of course I won’t be alone, as I’ll be joining a distinguished panel of fellow judges: Viktoria Haack, Lizzie Shepherd, Matt Palmer, and Ben Horne.
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by Michael Frye | Apr 11, 2024 | Travels and Stories
Total solar eclipse, April 8, 2024, northeast Arkansas
The “diamond ring” and solar flares as the sun emerges from a total solar eclipse, April 8, 2024, northeast Arkansas
I started thinking about the 2024 solar eclipse right after our last one in 2017. Claudia and I, along with our friend Robert Eckhardt, viewed that eclipse from the Sawtooth Mountains in Idaho, and it was such an amazing experience I immediately wanted to do it again.
When I looked at this 2024 eclipse, the best part was the length – four-and-a-half minutes of totality in Mexico and Texas, compared with only a little over two minutes in Idaho in 2017. Two minutes seemed way too short.
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by Michael Frye | Mar 31, 2024 | Light and Weather, Travels and Stories
Dunes in a sandstorm at sunrise, Death Valley NP, California
Death Valley is a dynamic place. While the appearance of other landscapes frequently changes because of weather and seasonal changes, in Death Valley the land itself undergoes routine transformations caused by wind and water – especially the infrequent, but highly destructive, flash floods.
Last August Tropical Storm Hilary dumped over two inches of rain on Death Valley, washing out roads, closing the park for two months, and filling Badwater Basin with water – a resurrection of ancient Lake Manly. We visited Death Valley in late December, and got to see and photograph that lake, though it was shallower by then. (You can see some of my photos from that trip toward the bottom of my year-end-photos post.)
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by Michael Frye | Mar 17, 2024 | Light and Weather
Half Dome and sunbeams, winter sunrise, Yosemite NP, California
I’ve felt like a hamster on a wheel lately, running nonstop just to keep up with the most essential tasks. But I finally have a moment to breathe, and time to write a blog post!
I made the photographs here in mid-February, after a weak storm moved through the Sierra. In a common pattern, it rained in Yosemite Valley during most of the storm, but the temperature dropped at the tail-end, leaving a dusting of new snow. At least that’s what I saw on the webcams early that morning. But when I arrived in the west end of the valley at first light, I didn’t find any new snow. Could it have snowed in the east end of the valley (where the webcams are), but not the west end? Sure enough, that’s what happened. The east end of the valley is slightly higher in elevation than the west end, and sometimes that’s enough to create a dusting of snow in the east end while the west end gets only rain.
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by Michael Frye | Mar 4, 2024 | Announcements
Lightning over the San Joaquin Valley from the Sierra Nevada foothills, California
What elevates a photograph beyond the ordinary? Light, composition, and technical proficiency all play parts, but is there something more?
I think so. The photographs that I respond to most strongly go beyond just showing what a scene looks like, and touch me on an emotional level. They suggest something bigger, more universal than the literal subject matter depicted in the image. They evoke a sense of mystery, or wonder, or awe, or surprise me by showing the world in an unexpected way.
I think this is such an important aspect of photography, so I’m really looking forward to delving into this topic more in my presentation for Nic Stover’s Nature Photography Classes next Monday. The presentation is called A Sense of Mystery, and focuses on those hard-to-define components that make a photograph richer, and give it more universal meaning. I’ll talk about the what, and the how – what elevates a photograph beyond the ordinary, and how you can make images that convey a sense of mystery and wonder.
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by Michael Frye | Feb 7, 2024 | Announcements
Trail through redwoods in fog, northern California coast
I’m pleased to announce that I’ll be joining Nic Stover’s Nature Photography Classes again for their Winter Speaker Series. This series is focused on “Discovering the Mood and Mystery in Our Images,” and includes three sessions: Franka Gabler, with “Conveying Mood and Capturing the Essence,” on February 26th; Michele Sons, with “The Art of Fog,” on March 5th; and then I’ll be presenting “A Sense of Mystery,” on March 11th.
I decided to talk about mystery because I think this is an essential but often-overlooked component of successful landscape photographs. Brett Weston once said, ” Unless a landscape is invested with a sense of mystery, it is no better than a postcard.” And that rings true with me. Evocative images don’t just show what something looks like; they convey a mood, or feeling, or surprise the viewer in some way. And they don’t necessarily show everything. It’s often more intriguing to show part of something, and let the viewer imagine the rest. Images with a strong emotional impact also usually suggest something bigger and more universal than the particular subject matter of the image.
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by Michael Frye | Feb 1, 2024 | Light and Weather
Half Dome above a fog layer at sunrise, Yosemite NP, California. This is actually two frames from my 50mm lens stitched together, as that lens wasn’t quite wide enough, but my next widest lens (35mm) was too wide.
After photographing the trees in fog I described in this recent post, a few mornings later I went up to Yosemite Valley again as another storm was clearing. I climbed up to a different spot, with a view of Half Dome, and once again saw the valley floor covered in a shallow layer of fog, with trees poking out.
But this time I also saw high clouds, and some mist wrapped around Half Dome. Under those conditions the higher clouds often light up before sunrise, but not this time; probably some clouds farther east, out of sight, blocked that early light. But later, as the sun rose higher, it broke through and backlit the clouds and mist. My favorite moment is shown above, with that backlit mist, and trees poking out of the fog below.
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by Michael Frye | Jan 28, 2024 | Announcements, Night Photography
Yosemite Valley lit by the setting moon, with Jupiter above, Yosemite NP, California
I’ve been working on my presentation The Magic of Moonlight for the Night Photo Summit next weekend. While going through some of my moonlit images from the past I found this set, all from the night of December 19th and 20th, 2015.
Thinking about that night brings back some great memories. A winter storm started clearing around 9:00 p.m., so I headed up to Yosemite Valley, knowing that the two-thirds full moon was due to set at 1:45 a.m., and as it sank I might find some beautiful, low-angle moonlight to go along with that clearing storm.
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by Michael Frye | Jan 23, 2024 | Light and Weather
Trees and waves of fog, Yosemite NP, California
On a Sunday morning nine days ago I headed up to Yosemite Valley as a small storm was clearing. This system was on the warm side, so it rained at the valley elevation (around 4,000 feet). But there was still some snow on the ground from previous storms, and rain on top of snow is a fog-generating machine, so I figured there would be lots of fog and mist.
And there was lots of mist when I arrived in the valley. I climbed up to one of my favorite off-the-beaten path viewpoints, thinking to capture a classic Yosemite clearing storm. But when I reached that spot it became apparent that the mist wasn’t wrapping around the cliffs as I’d expected. Instead, I saw a shallow layer of fog covering the length of the Valley floor, with the tops of tall ponderosa pines poking up through the fog layer. Which looked gorgeous.
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by Michael Frye | Jan 10, 2024 | Announcements
I’m happy to be joining the National Parks at Night team for the fourth annual Night Photo Summit next month!
This will be my fourth time presenting at the Night Photo Summit, and the previous three have been really fun, so I’m excited to be invited back! This online conference is devoted exclusively to night photography, and I’ll be joining over 30 other distinguished instructors, including Josh Cripps, Sean Bagshaw, Jess Santos, Chris Smith, Jessica Rojas, Royce Bair, Melissa Kaelin, Lance Keimig, Tim Cooper, Chris Nicholson, Gabriel Biderman, and many more.
I’ll be presenting The Magic of Moonlight. I think moonlight offers tremendous possibilities for night photographers – but those possibilities are often overlooked.
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