In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Sep 30, 2013 | Digital Darkroom
Star Trails and junipers east of Sonora Pass. Lightroom’s retouching tools keep getting more sophisticated; Lightroom 5’s Advanced Healing Brush was very helpful in removing jet trails from this image.
Adobe just released Lightroom 5.2, with a small but significant new feature: the ability to add feathering to the Spot Removal Tool’s brush. This adds further sophistication to Lightroom’s retouching abilities, continuing the theme introduced by the “Advanced Healing Brush” in Lightroom 5.0.
You usually want fairly hard-edged brushes with retouching tools, otherwise you’ll get unwanted blurring along the borders of your retouching areas. But small amounts of feathering can help make transitions smoother and the retouching less obvious. Try setting the Feathering in the Spot Removal Tool to 40 as a starting point, then modify it if necessary. And in keeping with Lightroom’s complete flexibility, you can adjust the feathering after the fact: you can place a spot or add a brush stroke, then adjust the feathering of that area to see the effect of different feathering amounts.
As I said, this is a small improvement, but a helpful one, and something worth paying attention to if you’re a Lightroom user. Naturally 5.2 is a free upgrade if you own Lightroom 5.
And while we’re on the subject, I’ve found the Advanced Healing Brush to be extremely helpful. This is a new capability added to the Spot Removal Tool in Lightroom 5.0, allowing you to brush over an area you want to retouch instead of using a series of discrete spots. It’s made my retouching in Lightroom more efficient, and allowed me to use Photoshop less and stay in Lightroom more. I’m curious about whether others have also found this new feature helpful—let me know how you like it.
— Michael Frye
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by Michael Frye | Sep 25, 2013 | Yosemite Photo Conditions
Giant sequoias in fog, Mariposa Grove, Yosemite NP, CA, USA
I thought this was an interesting story in the L.A. Times about efforts to save Yosemite’s giant sequoia trees and old-growth sugar pines during the Rim Fire. Sounds like it was quite dramatic (though perhaps the writer played up the drama a bit).
Today the fire is almost out. They’re still listing it as only 84% contained, but that’s because they’re letting it burn slowly into remote and rocky areas east of Cherry Lake and north of Hetch Hetchy. Elsewhere the fire is smoldering here and there within the containment lines, but rain and snow last Saturday doused a lot of that activity, and smoke from the fire has diminished greatly. All the main roads inside and outside the park are now open.
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by Michael Frye | Sep 24, 2013 | Yosemite Photo Conditions
Reflections in North Lake on Sunday morning after a dusting of snow, Inyo NF, CA, USA
Last weekend my wife Claudia and I made our annual pilgrimage to the Millpond Music Festival in Bishop, over on the eastern side of the Sierra Nevada. We had a wonderful time, as usual; this is either the 14th or 15th consecutive year we’ve attended this event, so clearly we love it.
On the drive over we could see some color changes starting to appear in the highest aspen groves, like where Warren Canyon meets Lee Vining Canyon along Highway 120 east of Tioga Pass, and on the higher reaches of the Parker Bench, above the northern end of the June Lake Loop just southeast of Parker Lake.
Saturday evening it sprinkled in Bishop, and further north several inches of snow fell on Tioga Pass and Sonora Pass, temporarily closing both routes. I knew that the nearby upper reaches of Bishop Creek Canyon would likely have a dusting of snow in the morning, and I’d heard that the colors were already changing up there, so I rose early Sunday and drove up to North Lake before sunrise.
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by Michael Frye | Sep 17, 2013 | Announcements
Half Dome, Sentinel Rock, and Bridalveil Fall after a snowstorm, Yosemite NP, February 9th, 2009
Clearing Winter Storm is my favorite Ansel Adams photograph. To me it captures the majesty and grandeur of Yosemite Valley like no other image.
(I wish I could show the photograph here, but I’d violate copyright laws in doing so. You can click this link to see Clearing Winter Storm. The image shown here is one of mine that was made on February 9th, 2009.)
The funny thing is, no one knows when this famous image was made. Ansel had a notoriously bad memory for dates, and various years have been given by him and others for this photograph, ranging from 1935 to 1944. In his book Examples, Ansel wrote that the image “came about on an early December day,” but again, his memory was not particularly reliable about such things.
A couple of years ago, Don Olson contacted me about dating this photograph. Don is a Professor of Physics and Astronomy at Texas State University, and he and his colleagues have used the position of the moon to find the precise date and time that Ansel captured two images: Moon and Half Dome, and Autumn Moon, the High Sierra From Glacier Point.
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by Michael Frye | Sep 12, 2013 | Reviews
The Visual Toolbox: 50 Lessons for Stronger Photographs
by David duChemin
Craft & Vision; 201 page PDF ebook
Craft & Vision has just released their second “Big Book.” This one is called The Visual Toolbox, by C&V founder and publisher David duChemin.
I’ve said before that I think David is an excellent writer and photography educator. But this time he’s outdone himself; The Visual Toolbox is one of the best photography-instruction books I’ve ever read.
It really is a toolbox, covering almost every aspect of photography, including exposure, depth of field, composition, balance, light, how to slow down and really see, and much more. But what sets this book apart is David’s ability to offer fresh perspectives and ideas on familiar photography topics, and get you to think about these subjects in new ways.
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