“Badwater Lake” by Grant Kaye
This week’s photograph was made by Grant Kaye at Badwater in Death Valley National Park, California. The water in this place may be bad to drink, but it’s good for photography. It’s always interesting to see water in the desert, and this spot often has great reflections, especially with clouds at sunrise or sunset, like the ones Grant captured in this image. It’s easy to see why Badwater attracts lenses.
With reflection images, horizon placement is a key decision. It’s usually better to avoid putting the horizon across the middle of the frame, as this cuts the photograph in half, and often creates the feeling of two different photographs stuck together. (I pointed out this problem in another recent critique.)
But there are exceptions to any rule. With reflections, putting the horizon in the middle emphasizes the symmetry between the elements above the horizon and their reflections below, and can be an effective way of expressing calm and serenity, or simply creating repetition and a unified composition. Placing the horizon above or below the center can also work: pointing the camera down emphasizes the reflection; pointing the camera up emphasizes the actual objects above the water.
In this photograph Grant chose put the horizon above center and highlight the foreground and the reflection. I often like this approach, as reflections have richer color than the real objects they’re reflecting. Here this arrangement also accentuates the converging lines of the clouds—they all seem to point to a spot behind the peaks in the center of the image. Overall the composition is simple and direct, with a strong radiating design.