In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Dec 19, 2010 | Announcements, Digital Darkroom
Today is the last chance to get a discount on Craft & Vision eBooks, including my new one, Light & Land: Landscapes in the Digital Darkroom.
Use the code LAND4 at checkout to get my book for only $4, or buy any five Craft & Vision eBooks and get 20 percent off by using the code LAND20. The offer expires at midnight tonight Pacific time.
There are lots of great titles in the C&V collection, so even if you’ve already bought Light & Land you can still easily find five other titles to inspire you to greater creative heights. I haven’t read them all, but really like David duChemin’s two-part series The Inspired Eye, and Andrew Gibson’s three-part series on The Magic of Black and White.
Click here to see all the titles.
by Michael Frye | Dec 17, 2010 | Advanced Techniques, Photography Tips
Lunar Eclipse Sequence, 1:23 a.m. to 4:49 a.m., August 28, 2007
Before getting to the topic at hand, I want to thank all of you for your support in launching my new eBook, Light & Land. The first day’s sales were amazing, off the charts, so thanks to all of you who bought a copy. And if you haven’t purchased it yet, there’s still time to get 20 percent off. See my last post for details.
So on to the eclipse… I was honored to have this lunar eclipse photo recently selected for the Natural World Exhibit at the Center for Fine Art Photography in Fort Collins Colorado. By coincidence, there will be another full lunar eclipse Monday Night—an opportunity to try making your own eclipse photograph.
Now here in California there are lots of dire weather forecasts for the next few days, with predictions of five to ten feet of snow above 7000 feet in the Sierra Nevada, and five to ten inches of rain in the foothills and Yosemite Valley. Minor flooding is possible. So there’s a good chance that we won’t see Monday night’s eclipse at all. But you never know—all it takes is a small break in the clouds. And those of you in other parts of the world may have perfect weather for this event. To see where and when the eclipse will be visible (weather permitting), visit the NASA web site. (more…)
by Michael Frye | Dec 16, 2010 | Announcements, Digital Darkroom
It’s easy to find information about Photoshop, Lightroom, or just about any other aspect of the digital darkroom. But too often this information consists of random tips and tricks.
So I asked myself how I could help people put it all together. How could I help photographers develop a simple, powerful workflow, learn to make good decisions about how their photographs should look, and convey their original inspiration?
And that’s when I had the idea for this book.
In Light & Land: Landscapes in the Digital Darkroom I’ll take you step-by-step through each decision as I process five different images in Adobe Lightroom. You’ll see my workflow in action, and I’ll explain why I use particular techniques in a particular order. But more importantly, you’ll come to understand the esthetic judgements behind each decision—how a certain amount of contrast conveyed my vision, or why too much saturation muddied the color rather than enhanced it. As you look over my shoulder you’ll gain insights about how to convey your own unique vision, and how to squeeze every ounce of beauty, emotion, and inspiration out of your photographs.
While I use Lightroom for these examples, the basic principles apply to any software. Learning how to make good decisions and find the right balance is more important than learning any particular tool or technique.
This eBook is published in conjunction with Craft & Vision, David duChemin’s great photography eBook site. Like all their eBooks, Light & Land is normally only five dollars. But for the next four days you can get it for only four dollars. Just use the code LAND4 at checkout. Or use the code LAND20 to get 20 percent off if you buy five or more Craft & Vision eBooks.
Click here to order your copy!
by Michael Frye | Dec 15, 2010 | Critiques
“Rabbitbrush and Storm” by David Thomas
First, my new eBook, Light & Land: Landscapes in the Digital Darkroom, will actually be released tonight at 1:00 a.m. PST, not today as I said previously. I’ll have more details in my next post tomorrow morning.
On to the critique…
This week’s photograph was made by David Thomas near Bishop, California, on the eastern side of the Sierra Nevada.
Light
David said that he and his dad were driving north on Highway 395 when he noticed a storm gathering over the Sierra crest beyond this dense field of rabbitbrush, “perfectly arranged, waiting to be composed.” The clouds, falling rain, and patch of blue sky provide a dramatic background, and the yellow flowers add an eye-catching foreground. There’s actually not much sun in the scene, but that works well here, especially on the rabbitbrush, where sunlight would have created harsh shadows and visual confusion. The soft light brings out the yellow color of the bushes and helps simplify the scene. The combination of blue sky and yellow flowers creates a nice warm-cool color contrast.
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by Michael Frye | Dec 10, 2010 | Digital Darkroom, Photography Tips, Video Tutorials
White Balance for Landscape Photographs – Part 1: Sunlight from Michael Frye on Vimeo.
My recent critique of Mark Wilburn’s dogwood photograph prompted a lively discussion about white balance, so this seemed like a good topic for a more in-depth treatment. I’ve created three videos on white balance for landscape photographs, and here’s part one, which looks at images with sunlight, including sunrises and sunsets. Part two will discuss photographs captured in the shade, and part three will present solutions to a common problem in landscape photographs—finding the right white balance when mixing low-angle sunlight with blue sky.
In all of these videos I discuss what I think is the key to setting color temperature—finding a good balance between warm and cool colors, and preserving the vibrance of all the individual hues.
To see this video clearly, be sure that “HD” is on (the letters “HD” should be white instead of gray; if not, click on them), and click the “expand” icon just to the right of “HD.” Once you’ve expanded you might want to turn Scaling off if you have a big monitor.
As I mentioned yesterday, my new eBook will discuss my entire workflow in depth. I’ll post more details soon.
