by Michael Frye | Nov 18, 2010 | Yosemite Photo Conditions
Half Dome and the Merced River, 7:41 a.m., November 8th
Even on a hot, crowded, cloudless day in August Yosemite Valley is a beautiful place. But sometimes it outdoes itself and puts on a show.
Last Monday, November 8th, was one of those days. At the peak of fall color, a rainstorm cleared during the night and left beautiful mist and clouds in its wake. As I wrote earlier, I found photographs everywhere.
I know a few other photographers who were in Yosemite Valley that day, and I thought it would be fun to see what everyone else did, and collect a portfolio of images—a portrait of Yosemite on one autumn day. So I’ve set up a Flickr group to do just that. If you were in Yosemite on November 8th, please upload some of your images so we can all see them. There are no limits to how many photographs you can include, but try to edit and show only your best work. Subject matter could be anything; the only restriction is that the photographs must have been made within the borders of Yosemite National Park on November 8th, 2010. And if you know anyone who was in Yosemite that day who might not read this blog, please send them a link and urge them to submit.
I’ve started things off by uploading 14 of my images from that day to the Flickr group. I look forward to seeing what everyone else captured!
by Michael Frye | Nov 12, 2010 | Critiques
“Dogwood” by Mark Wilburn
This week’s photograph was made by Mark Wilburn in Yosemite Valley. By having his image chosen for this critique Mark will receive a free 16×20 matted print from Aspen Creek Photo. If you’d like your images considered for future critiques you can upload them to the Flickr group I created for this purpose.
Overview, Composition, and Light
This image was made just a few days ago, on November 6th, near the peak of fall color in Yosemite Valley this year. In fact I was nearby, teaching a private workshop, when Mark made this photograph. I exchanged some pleasantries with a man who said he read my blog, but I didn’t get his name. Then when I contacted Mark about using this image for a critique he told me that was him!
Anyway, I know exactly where these dogwoods are: near Gates of the Valley, also known as Valley View. The dogwoods in this area are striking right now, but not necessarily easy to photograph. It’s one thing to find a colorful subject; it’s another to build a strong composition around that color.
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by Michael Frye | Nov 8, 2010 | Yosemite Photo Conditions
What a magical day it was in Yosemite Valley. The storm cleared overnight, and Claudia and I rose early to make the drive to the park. We saw a misty sunrise, a dramatic sunset, and beautiful fall color. Everywhere I looked there was another photograph, and another, and another—all demanding to be captured. I did my best to oblige. Here’s a morning view of Three Brothers in the mist; I’ll post more images soon.
Although some leaves were knocked down by the storm, most survived, and it looks like we’ll still have plenty of autumn color through this weekend.
First light on Three Brothers, around 7:00 a.m. this morning
by Michael Frye | Nov 7, 2010 | Yosemite Photo Conditions
Cottonwood leaves and reflections in the Merced River, Yosemite
What a difference a week makes. Last Sunday, October 31st, the color in Yosemite Valley was progressing, but still not there yet. Yesterday I returned to the valley for a private workshop and found colorful leaves everywhere. All the deciduous trees—maples, dogwoods, cottonwoods, and oaks—are turning. Green leaves, abundant a week ago, are now in a small minority. All four species of deciduous trees are close to, or at, their peak autumn color.
Most years the maples and dogwoods turn before the oaks and cottonwoods, so the color is spread out over several weeks. It’s unusual for all these trees to be near peak at the same time, and I’ve seldom seen the valley look more beautiful than it did yesterday. I don’t know how long this will last. A significant storm arrived today, and forecasters are predicting one to two feet of snow above 6000 feet. While it probably won’t snow in Yosemite Valley, at 4000 feet, the rain will knock down some leaves—although surely not all of them. I’m planning to go up to the valley again tomorrow when the storm clears, so I’ll let you know what I find.
This storm has closed Tioga Pass. The pass closes for the winter after the first significant snowfall in November, so it will probably remain closed until spring. My favorite eastern Sierra locations, only a few hours away during the last five months, now require seven hours of driving to reach! I’ve always wanted to visit Mono Lake in winter, so maybe this will be the year, but if not then I’ll return when the pass reopens in May or June.
My five-day workshop, The Digital Landscape: Autumn in Yosemite, finished last week. While the autumn color had not yet reached its peak, we still found many colorful leaves to photograph, and saw some fantastic light and weather, as you can see from this view of Yosemite Falls as a storm was clearing. The group was diverse and interesting, with participants from Sweden, Belgium, New York, Texas, and Minnesota. I think this is the first time I’ve ever taught a Yosemite workshop with no California students! Anyway, thanks to everyone in the group for making this a fun class.
Clearing Storm Over Yosemite Falls
by Michael Frye | Nov 4, 2010 | Night Photography
Day of the Dead procession, Hornitos, California
Last year Claudia and I attended theDay of the Dead (All Soul’s Day) celebration in Hornitos for the first time. Hornitos is a tiny town in the Sierra foothills near my home in Mariposa. During the 1850s over 15,000 people lived there; now the residents number less than a hundred. But every November 2nd the town’s population swells, and several hundred people form a silent, candlelit procession from the town up a hill to the old church and graveyard, where they participate in a ceremony honoring the departed.
As I wrote last year, Claudia and I both found the ceremony moving and inspiring, and knew we had to return. Tuesday night we attended the event for the second time. We loved it, again; in our noisy world it’s wonderful to see hundreds of people holding candles and walking silently, solemnly through the night to an old graveyard. Although neither of us are practicing Catholics, we can appreciate rituals that help connect us with some of the more essential and elemental aspects of life and death.
About the Photograph
Last year I made some good images, but it’s difficult to photograph something like this when you’ve never seen it before, don’t know what to expect, and only have one chance at it. This time I had a plan. I positioned myself where I could see the curving line of the procession walking up the hill toward the church. With the camera locked on a tripod I made an exposure at dusk to capture some of the ambient light, then made a further series of long exposures as the procession passed by. The pieces were assembled in Photoshop. The squiggly lines were made by candles that people held as they walked up the hill. The blue streak is actually the viewing screen of a video camera dangling from a man’s shoulder as he walked up the hill—a nice touch of color, and the line helps fill in an otherwise empty space in the composition.
Some photographs are created spontaneously; others require planning. This is obviously an example of planning, as is my photograph of Horsetail Fall by moonlight. But most of my best images were made by simply reacting to what I saw around me—fleeting light or weather, or maybe just aninteresting arrangement of elements that could make a compelling composition. Planning and flexibility are both essential tools in a photographer’s kit.
Next November 2nd I may leave the camera at home and actually join the procession. Then again, I might not be able to resist trying to capture an event with such rich photographic potential. Either way, I’ll be there.
